FeMAP SOCIAL

A PROJECT for everyone

WHAT IS FeMAP

SOCIAL?

FeMAP Social is the social programme of the Pyrenees Early Music Festival that brings music closer to the most vulnerable individuals or those facing barriers to accessing culture.

In this way, we aim to ensure they have the opportunity to experience the Festival's concerts and music through a range of socio-educational and cultural initiatives. These are tailored to the needs of the three main groups we work with: seniors, individuals with mental health conditions, and people with functional diversity.

WHAT IS FeMAP

SOCIAL?

FeMAP Social is the social programme of the Pyrenees Early Music Festival that brings music closer to the most vulnerable individuals or those facing barriers to accessing culture.

In this way, we aim to ensure they have the opportunity to experience the Festival's concerts and music through a range of socio-educational and cultural initiatives. These are tailored to the needs of the three main groups we work with: seniors, individuals with mental health conditions, and people with functional diversity.

CONCERTS AND CALENDAR

ANAÏS OLIVERAS

&

RAFAEL BONAVITA

Soprano and Theorbo
Image
Giulio Caccini (1551–1618) Amor ch'attendi (de Nuove musiche e nuova maniera di scriverle, Florència, 1614)
Girolamo Frescobaldi (1583–1643) Se l'aura spira (de Arie musicali, per cantarsi nel gravicembalo e tiorba, a una, a dua, e a tre voci, Florència, 1630) Cosi mi disprezzate: Aria di passacaglia (de Arie musicali, per cantarsi nel gravicembalo e tiorba, a una, a dua, e a tre voci, Florència, 1630)
Robert de Visée (c. 1655–1732) La Muzette (de la Suite en Do menor)
Anònim (tradicional catalana) La dama d'Aragó
Claudio Monteverdi (1567–1643) Quel sguardo sdegnosetto (de Scherzi musicali, SV 246-251, Venècia, 1632)
Giulio Caccini Amarilli mia bella (de Le nuove musiche, Florència, 1601)
Anònim (tradicional catalana) El noi de la mare
Anònim (Orazio Michi, ‘dell’Arpa’, 1594–1641) Nina nanna ai bambini Jesu

SAIOA GOÑI

&

GUILLERMO REYES

Soprano, theorbo and guitar
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Cançó Italiana Claudio Monteverdi (1567-1643) Si dolce è’l tormento (de Quarto scherzo delle ariose vaghezze, Venècia, 1624) Lamento della ninfa (de Madrigali guerrieri et amorosi, Venècia, 1638)
Cançó del Renaixement Anònim Dindirindin (del Cancionero Musical de Palacio)
Juan del Encina (1468-1529) Más vale trocar (del Cancionero Musical de Palacio)
Cançó espanyola Gaspar Sanz (1640-1710) Canarios (de Instrucción de música sobre la guitarra española, Libro segundo, Zaragoza, 1674)
Anònim (s. XVII) Marizápalos
Juan Hidalgo (1614-1685) ¡Ay, que me río de amor! (Tono humano)
Cançó tradicional catalana Anònim Rossinyol